Eric Clapton at the Tsunami Relief Concert at Millennium Stadium in Cardiff, Wales, UK on 22 January 2005
||Ripley, Surrey, United Kingdom
||1963 - Present
Eric Patrick Clapton, CBE (born March 30, 1945), nicknamed "Slowhand", is a Grammy Award winning British
guitarist, singer and composer, who became one of the most respected and influential musicians of the rock-era, garnering
an unprecedented three inductions into the Rock and Roll Hall of Fame. Clapton is widely considered to be one of the greatest
and most influential guitarists in popular music history.
Although Clapton's musical style has varied throughout his career, it has always remained rooted in the blues. Clapton is
credited as an innovator in several phases of his career, which have included blues-rock (John Mayall & the Bluesbreakers
and The Yardbirds) and hard rock (with Cream). Clapton has also achieved great chart success in genres ranging from delta blues
(the tribute to Robert Johnson with Me and Mr. Johnson album), psychedelic rock ("Sunshine of Your Love"), pop ("Change
the World") and reggae ("I Shot the Sheriff").
Clapton is currently on his 2006-2007 world tour with good friend and longtime tourmate, Robert Cray as his supporting act.
Musical Career & Personal Life
Clapton's Early Days
Eric Clapton was born in Ripley, Surrey, England, UK as the illegitimate son of 16-year-old Patricia Molly Clapton and Edward
Walter Fryer, a 24-year-old Canadian soldier. Fryer shipped off to war prior to Clapton's birth and then returned to Canada.
Clapton grew up with his grandparents, believing they were his parents and that his mother was his older sister. Years later
his mother married another Canadian soldier, moved to Canada and left Eric with his grandparents. When Clapton was 9 years old
he discovered this family secret, and the experience became a defining moment in his life.
Clapton grew up a self-confessed "nasty kid." During his secondary school years he attended the Hollyfield School in Surbiton.
His first job was as a postman. Influenced by the blues from an early age, at age 13 Clapton received an acoustic guitar for
his birthday, but he found learning the instrument so difficult he nearly gave up. After high school, Clapton studied stained-
glass design at Kingston Art School but was later kicked out for lack of progress in his studies. Clapton spent his early days
busking around Kingston, Richmond, London and the West End. Clapton joined his first band at 17 and stayed with this band - the
early British R&B outfit The Roosters - from January through to August 1963. Clapton did a seven-gig stint with Casey Jones
and the Engineers, in September 1963.
The Yardbirds & John Mayall and the Bluesbreakers
Clapton joined The Yardbirds, a blues-influenced rock and roll band in 1963 and stayed with them until March 1965. Synthesising
influences from Chicago blues and leading blues guitarists such as Freddie King and B.B. King, Clapton forged a distinctive style
and rapidly became one of the most talked-about guitarists in the British music scene. The band initially played covers of Chess/
Checker/Vee-Jay blues numbers and began to attract a large cult following when they took over the Rolling Stones' residency at the
Crawdaddy Club in Richmond. They toured England with American bluesman Sonny Boy Williamson; a joint LP, recorded in December 1963,
was issued belatedly under both their names in 1965. In March 1965, just as Clapton left the band, the Yardbirds had their first
major hit, on which Clapton played guitar: "For Your Love."
Still obstinately dedicated to blues music, Clapton took strong exception to the Yardbirds' new pop-oriented direction, partly
because "For Your Love" had been written by pop songwriter-for-hire Graham Gouldman, who had also written hits for teen pop
outfit Herman's Hermits and harmony pop band The Hollies. Clapton recommended fellow guitarist Jimmy Page as his replacement,
but Page was at that time unwilling to relinquish his lucrative career as a freelance studio musician, so Page in turn recommended
Clapton's successor, Jeff Beck (although Page would also eventually join the band).
Having quit the Yardbirds in March, Clapton joined John Mayall & the Bluesbreakers in April 1965. His passionate playing in
nightclubs -- and on the immensely influential album, Blues Breakers -- established Clapton's name worldwide as blues guitarist.
Album cover to Fresh Cream
Clapton left the Bluesbreakers in mid-1966 (to be replaced by Peter Green) and then formed Cream, one of the earliest examples of a
supergroup. Cream was also one of the earliest "power trios", with Jack Bruce (also of Manfred Mann and the Graham Bond Organisation)
and Ginger Baker (another member of the GBO). During his time with Cream, Clapton began to develop as a singer and songwriter, as
well as guitarist, though Bruce, one of rock's most powerful singers, took most of the lead vocals and wrote the majority of the
material with lyricist Pete Brown. Debuting at the Windsor Jazz and Blues Festival, Cream established an enduring legend on the
high-volume blues jamming and extended solos of their live shows, while their studio work was more sophisticated and original rock.
In early 1967, Clapton's status as Britain's top guitarist was shaken by the arrival of Jimi Hendrix. Hendrix attended a performance
of the newly-formed Cream at the Central London Polytechnic on October 1, 1966, during which Hendrix sat in on a shattering double-timed
version of "Killing Floor". Clapton realized that he had a new competitor, whose dazzling showmanship outshined some pretty good guitar
skills. Hendrix's early club performances were avidly attended by top UK stars including Clapton, Pete Townshend, The Rolling Stones and
The Beatles. Hendrix's arrival had an immediate and major effect on the next phase of Clapton's career, although Clapton continued to be
recognized in music polls as the premier guitarist.
Cream's repertoire varied from pop soul ("I Feel Free") to lengthy blues-based instrumental jams ("Spoonful") and featured Clapton's
searing guitar lines, Bruce's soaring vocals and prominent, fluid bass playing, and Baker's powerful, polyrhythmic jazz-influenced drumming.
In a mere three years Cream had immense commercial success, selling 15 million records and playing to standing-room only crowds throughout
the U.S. and Europe. They redefined the instrumentalist's role in rock and were one the first bands to emphasize musical virtuosity, skill
and flash. Their U.S. hit singles include "Sunshine Of Your Love" (#5, 1968) and "White Room" (#6, 1968).
Although Cream was hailed as one of the greatest groups of its day, and the adulation of Clapton as guitar hero reached new heights, the
band was destined to be short-lived. The legendary in-fighting between Bruce and Baker and growing tensions between all three members
eventually led to Cream's demise. Another significant factor was a strongly critical Rolling Stone review of a concert of the group's
second headlining U.S. tour, which affected Clapton profoundly. By this time he had also fallen deeply under the spell of the music
of The Band after they had released the album Music From Big Pink and began to believe that rock music was heading in a new
direction. He was so infatuated with them that he even asked to join them, but was turned down.
The valedictory Goodbye album featured live performances recorded live at The Forum, Los Angeles, October 19, 1968, and it was
released shortly after Cream disbanded in 1968, and also featured the studio single "Badge", co-written by Clapton and George Harrison,
whom he had met and become friends with after the Beatles had shared a bill with the Clapton-era Yardbirds at the London Palladium.
(The chorus of "Badge" served as the basis for Harrison's later Beatles composition, "Here Comes the Sun", which Harrison
reportedly composed in Clapton's back garden.) The close friendship between Clapton and Harrison also resulted in Clapton's playing on
Harrison's "While My Guitar Gently Weeps" from the Beatles' White Album - according to some, a tactic intended to make the other
Beatles take Harrison's song more seriously, but whatever the truth, by all accounts the presence of an outsider, especially of Clapton's
calibre, had the effect of bringing harmony to the irritable band (in January 1969, during the making of what would become the Let It Be
album, Harrison walked out after an argument and in his absence - fearing Harrison had gone for good and concerned that the album could not
be completed - John Lennon proposed that Harrison be replaced by Clapton.) In the same year of release as the White Album, Harrison
released his solo debut Wonderwall Music which became the first of many Harrison solo records to feature Clapton on guitar, who would
go largely uncredited due to contractual restraints. The pair would often play live together as each other's guests, right up until Harrison's
death in 2001 and the following tribute concert in his name, for which Clapton was one of the main performers and organizers.
Since their 1968 breakup, Cream briefly reunited in 1993 to perform at the ceremony inducting them into the Rock and Roll Hall of Fame. A
full-scale reunion of the legendary trio took place in May 2005, with Clapton, Bruce and Baker playing 4 sold-out concerts at London's Royal
Albert Hall (the scene of their 1968 farewell shows) and 3 more at New York's Madison Square Garden that October. Recordings from the London
shows were released on CD and DVD in September 2005.
Blind Faith & Delaney and Bonnie and Friends
A desultory spell in a second supergroup, the shortlived Blind Faith (1969), which was composed of Cream drummer Baker, Steve Winwood of
Traffic and Ric Grech of Family, resulted in one LP and one arena-circuit tour. The supergroup debuted before 100,000 fans in London's
Hyde Park on June 7, 1969, and began a sold-out American tour in July before its one and only album had been released. The LP Blind Faith
(album) was recorded in such haste that side two consisted of just two songs, one of them a 15 minute jam entitled "Do What You Like".
Nevertheless, Blind Faith did include two classics: Winwood's "Can't Find My Way Home" and Clapton's "Presence of the Lord". The
album's jacket image of a prepubescent girl was deemed controversial in the U.S. and was replaced by a photograph of the band. Blind Faith
dissolved after only a year together, and while Winwood went on to a highly successful solo career, by now Clapton was tired of both the
spotlight and the hype that had surrounded Cream and Blind Faith, and wanted to make music that more closely resembled that of The Band.
Clapton decided to step into the background for a time, touring as a sideman with the American group Delaney and Bonnie and Friends. He
moved to New York in late 1969 and worked with the band through early 1970. He became close friends with Delaney Bramlett, who encouraged
him in his singing and writing which would show determined growth in his next effort.
Using the Bramletts' backing group and an all-star cast of session players including Leon Russell and Stephen Stills whose solo albums
Clapton played on, he released his first solo album in 1970 fittingly named Eric Clapton, which included the Bramlett composition "Bottle
Of Red Wine" and one of Clapton's best songs from this period, "Let It Rain". It also yielded an unexpected U.S. #18 hit, the J.J. Cale
cover "After Midnight".
Clapton's "between-bands" period from 1969 to 1970 also saw him appear on a large number of other artists' records, ranging from George
Harrison's All Things Must Pass (for contractual reasons, Clapton's contributions went uncredited for decades) to The Plastic Ono
Band's Sometime in New York City and Dr John's Sun Moon and Herbs.
Derek and the Dominos
Taking over Delaney & Bonnie's rhythm section — Bobby Whitlock (keyboards, vocals), Carl Radle (bass) and Jim Gordon (drums) —
Clapton formed a new band which was similarly intended to counteract the 'star' cult that had grown up around him and show Clapton as an
equal member of a fully-fledged group. This was made evident in the choice of name Derek and the Dominos, derived from an announcer's
mispronunciation of the group's provisional name - "Eric & The Dynamos" - at their first concert appearance.
Clapton's close friendship with George Harrison had brought him into contact with Harrison's wife Pattie Boyd-Harrison, with whom he
fell deeply in love. When she turned him down, Clapton's unrequited affections prompted most of the material for the Dominos' album
Layla and Other Assorted Love Songs, most notably the hit single "Layla", inspired by the Persian classical poet Nizami Ganjavi's
"The Story of Layla and Majnun", a copy of which a friend had given him; Clapton found a strong similarity between the situation
of Layla and Majnun and the one between him and Boyd-Harrison.
Layla and Other Assorted Love Songs is considered Clapton’s masterpiece
Working at Criteria Studios in Miami with legendary Atlantic Records producer Tom Dowd, the band recorded a brilliant double-album which is now
widely regarded as Clapton's masterpiece. The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded
first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the elegiac piano part.
The Layla LP was actually recorded by a five-piece version of the group, thanks to the unforeseen inclusion of guitarist Duane Allman of The Allman
Brothers Band. A few days into the Layla sessions, Dowd -- who was also producing the Allmans -- invited Clapton to an Allman Brothers outdoor
concert in Miami. The two guitarists — who previously knew each other only by reputation — met backstage after the show, and then both bands retired
to the studio to jam (an impromptu session which, happily, was captured on tape). Clapton and Allman fell in love with each other's playing and became
instant friends, and Allman was immediately invited to become the fifth member of The Dominos. (These studio jams were eventually released as part of
the 3-CD 20th-anniversary edition of the Layla album.)
When Allman and Clapton met, The Dominos had already recorded three tracks ("I Looked Away", "Bell Bottom Blues" and "Keep On Growing"); Allman debuted
on the fourth cut, "Nobody Knows You When You're Down And Out", and contributed some of his most sublime slide-guitar playing to the remainder of the LP.
The album was heavily blues-influenced and featured a winning combination of the twin guitars of Allman and Clapton, with Allman's incendiary slide-guitar
a key ingredient of the sound. It showcased some of Clapton's strongest material to date, as well as arguably some of his best guitar playing, with Whitlock
also contributing several superb numbers, and his powerful, soul-influenced voice.
Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix;
eight days previously the band had cut a blistering version of "Little Wing" as a tribute to him which was added to the album. One year
later, on the eve of the group's first American tour, Duane Allman was killed in a motorcycle accident. Adding to Clapton's woes, the
Layla album received only lukewarm reviews on release; he later commented that the album's initial poor reception had angered
and disillusioned him, as he had (perhaps naively) expected it to be assessed on its merits rather than his involvement.
The shattered group undertook a US tour. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs
and alcohol, it resulted in the surprisingly strong live double album In Concert. But Derek and the Dominos disintegrated messily
in London just as they commenced recording for their second LP. Although Radle would be Clapton's main bass player until the summer of
1979 (Radle died in May 1979 due to alcohol and narcotics), the split between Clapton and Whitlock was apparently a bitter one, and it
took until 2003 before they worked together again (Clapton guested on Whitlock's appearence on the Later with Jools Holland show, playing
and singing Bell Bottom Blues, available on a "Later with Jools" DVD).
Eric Clapton in Wetzikon, Zurich, Switzerland on June 19, 1977
Full Throttle Solo Career
Despite his success, Clapton's personal life was in a mess by 1972. In addition to his (temporarily) unrequited and intense romantic
longing for Pattie Boyd-Harrison, he withdrew from recording and touring and became addicted to heroin, resulting in a career hiatus
interrupted only by the Concert for Bangladesh (where he passed out on stage, was revived, and continued the show). In 1973, the
"Rainbow Concert" was organized by The Who's Pete Townshend to help Clapton kick the drug. Clapton returned the favour by playing
'The Preacher' in Ken Russell's film version of The Who's Tommy in 1975; his appearance in the film (performing "Eyesight To
The Blind") is notable for the fact that he is clearly wearing a fake beard in some shots, the result of deciding to shave off his
real beard after the initial takes.
Now partnered with Boyd-Harrison (they would not actually marry until 1979) and free of heroin (although starting to drink heavily),
Clapton put together a strong new touring band that included Radle, Miami guitarist George Terry, drummer Jamie Oldaker and vocalists
Yvonne Elliman and Marcy Levy (later better known as Marcella Detroit of 1980s pop duo Shakespear's Sister). With this band Clapton
recorded 461 Ocean Boulevard (1974), an album with the emphasis on songs rather than musicianship; the cover-version of "I Shot
The Sheriff" was a major hit and was important in bringing reggae and the music of Bob Marley to a wider audience. The band toured the
world and subsequently released the 1975 live LP, E.C. Was Here.
The 1975 album There's One In Every Crowd continued the trend of 461. Its original intended title The World's Greatest
Guitar Player (There's One In Every Crowd) was altered, as it was felt the ironic intention would be missed. (Clapton's own original
cover artwork, a (self-)portrait of a miserable-looking character with a pint glass, was also replaced by a photograph of Clapton's dog
Jeep, apparently with its muzzle on a coffin.)
Clapton continued to release albums sporadically and toured regularly, but much of his output from this period was deliberately low-key
and failed to find the wide acceptance of his earlier work; highlights of the era include No Reason to Cry, whose collaborators
Bob Dylan and Robbie Robertson, and Slowhand, which featured "Wonderful Tonight", another song inspired by Pattie Boyd-Harrison,
and a second J.J. Cale cover, "Cocaine", which has since become a rock staple.
In 1976, Clapton was the centre of controversy and accusations of racism, when he spoke out against increasing immigration during a
concert in Birmingham. He commented that England had "...become overcrowded...that England sells itself as the "land of milk and honey"
only to turn around and stick its invited immigrants into low paying labour jobs, living in substandard conditions..." and implored
the crowd to vote for Enoch Powell to stop Britain becoming "a black colony". These comments (along with equally ill-advised remarks by
David Bowie) led to the creation of the Rock Against Racism movement in the UK.
Despite his controversial stance, Clapton has not made any notable effort to distance himself from the remarks and has denied there was
any contradiction between his political views and his career based on an essentially black musical form. He does not retract the sentiment
for his comments, and has recently repeated them in an interview for UNCUT magazine in 2004.
Eric Clapton's Antigua Residence, as seen from Shirley Heights
The late 1970s saw Clapton struggle to come to terms with the changes in popular music, and a relapse into alcoholism that eventually saw
him hospitalised and then spending a period of convalescence in Antigua, where he would later support the creation of a drugs and alcohol
rehabilitation centre, The Crossroads Centre.
In 1984, he performed on Pink Floyd member, Roger Waters solo album, The Pros and Cons of Hitch Hiking and went on tour with Waters
following the release of the album. Since then Waters and Clapton have had a close relationship, and in 2005 they performed together for
the Tsunami Relief Fund and on May 20, 2006 performed with Waters at the Highclere Castle playing two set pieces of 'Wish You Were Here'
and 'Comfortably Numb'.
As Clapton came back from his addictions, his album output continued in the 1980s, including two produced with Phil Collins, 1985's
Behind the Sun (which produced the hits "Forever Man" and "She's Waiting") and 1986's August.
August, a polished release suffused with Collins's trademark drum/horn sound, became Clapton's biggest seller in the UK to date
and matched his highest chart position, number 3. The album's first track, the hit "It's In The Way That You Use It", was also featured
in the Tom Cruise-Paul Newman movie The Color of Money The horn-peppered "Run" echoed Collins' "Sussudio" and rest of the producer's
Genesis/solo output, while "Tearing Us Apart" (with Tina Turner) and the bitter "Miss You" echoed Clapton at his angry best.
The period kicked off Clapton's extensive two-year period of touring with Collins and their August collaborates, bassist Nathan East
and keyboard player/songwriter Greg Phillinganes. Despite his own earlier battles with the bottle, Clapton also remade "After Midnight" as
a single and a promotional track for the Michelob beer brand produced by Anheuser-Busch, which had also marketed earlier songs by Collins
and Steve Winwood.
Clapton won more plaudits and a British Academy Television Award for his collaboration with Michael Kamen on the score for the
critically-acclaimed 1985 BBC television thriller serial Edge of Darkness.
In 1989, Clapton's commercial and artistic resurgence finally came full circle with Journeyman, which featured songs in a wide
range of styles from blues to jazz, soul and pop and collaborators including George Harrison and Robert Cray.
In 1985 Clapton, while still married to Pattie Boyd-Harrison, had started a relationship with Yvonne Khan Kelly; they had a daughter,
Ruth, in the same year. Clapton did not publicly acknowledge his daughter's existence for several years (she eventually made a spoken-
word appearance on his 1998 album Pilgrim and in 2001 was pictured in the Reptile album artwork). Clapton and Boyd-Harrison
divorced in 1989 following his affair with Italian model Lory Del Santo, who gave birth to his son Conor in August 1986 (the month of his
birth prompting the title of the album released that year).
The early 1990s saw tragedy enter Clapton's life again on two occasions. On August 27, 1990 guitarist Stevie Ray Vaughan, who was touring
with Clapton, and two members of their road crew were killed in a helicopter crash between concerts. Then, on March 20, 1991 at 11:00AM,
Conor, who was four and a half, died when he fell from a 53rd-story window while jumping on his bed in his parents' New York City apartment,
landing on the roof of an adjacent four-story building. A fraction of Clapton's grief was heard on the song "Tears in Heaven" (on the
soundtrack to the 1991 movie Rush), co-written with Will Jennings, which, like the MTV Unplugged album that followed it, won
a Grammy award.
Clapton's MTV Unplugged album included a former member of the Allman Brothers Band: keyboardist Chuck Leavell.
While Unplugged featured Clapton playing acoustic guitar, his 1994 album From The Cradle contains new versions of old blues
standards highlighted by fine guitar playing.
Clapton finished the twentieth century with critically-acclaimed collaborations with Carlos Santana and B. B. King. Clapton's 1996
recording of the Wayne Kirkpatrick/Gordon Kennedy/Tommy Sims tune "Change the World" (featured in the soundtrack of the movie
Phenomenon) won a Grammy award for song of the year in 1997, the same year he recorded Retail Therapy, an album of
electronic music with Simon Climie under the pseudonym TDF.
In 1999 Clapton, then 54, met 25-year-old graphic artist Melia McEnery in Los Angeles while working on an album with B.B. King.
They married in 2002 at St Mary Magdalen church in Clapton's birthplace, Ripley, and as of 2005 have three daughters, Julia Rose
(2001), Ella May (2003), and Sophie (2005).
In November 2002 Clapton masterminded The Concert for George, a tribute to George Harrison at the Royal Albert Hall, featuring
Sir Paul McCartney, Ringo Starr, Jeff Lynne and Tom Petty, amongst others.
The rights to Clapton's official memoirs, to be written by Christopher Simon Sykes and to be published in 2007, were reportedly
sold at the 2005 Frankfurt Book Fair for USD $4 million.
Clapton initiated the revival of Cream, playing at London's Royal Albert Hall in May and New York's Madison Square Garden in October 2005.
In 2006 it was announced that Derek Trucks would join Clapton's band for his 2006 and 2007 tour. Trucks is the third member
of the Allman Brothers Band to support Clapton.
On May 20th, 2006 he performed with a set band consisting of Queen band member Brian May and ex- Pink Floyd frontman Roger Waters,
at the Highclere Castle.
The Eric Clapton signature Stratocaster, made by Fender
Clapton's choice of electric guitars have been as notable as the man himself, and alongside Hank Marvin, The Beatles and Jimi Hendrix,
Clapton has exerted a crucial and widespread influence in popularising particular models of the electric guitar.
Early on in his career, Clapton used both Gibson and Fender guitars, but became exclusively a Gibson player in mid-1965, when he purchased
a used 1960 Gibson Les Paul Standard guitar, and was largely responsible for Gibson's reintroduction of the original Les Paul body style
after it was replaced by the Gibson SG.
During his stint in Cream, Clapton continued to play Gibson guitars, including Les Paul models, a Gibson Firebird and a Gibson ES-335,
but his most famous guitar in this period was a 1964 Gibson SG. The guitar was noted for its remarkable, psychedelic appearance. In early
1967, just before their first US promotional tour, Clapton's SG, Bruce's Fender VI and Baker's drum head were repainted in eye-popping
psychedelic designs created by the visual art collective known as The Fool.
Clapton played a Les Paul on "While My Guitar Gently Weeps." He later loaned his SG to singer Jackie Lomax, who subsequently sold it to
musician Todd Rundgren for US$500 in 1972. Rundgren restored the guitar and nicknamed it "Sunny," after "Sunshine Of Your Love." Rundgren
played the guitar extensively on record and in concert in the mid-1970s, eventually retiring it in 1977. He retained it until 2000, when
he sold it at an auction for US$150,000.
During Clapton's heroin addiction from 1969 to 1974, he began to sell off his collection of guitars to pay for his drug habit. Seeing
Clapton selling his most treasured possessions was one of the reasons Pete Townshend was prompted to assist him get over his addiction.
Another moment involving Clapton's guitars and Pete Townshend resulted in Hard Rock Cafe's unique and gigantic collection of memorabilia.
In 1971, Clapton, a regular at the original Hard Rock Cafe in Hyde Park, London, gave a signed guitar to the cafe to designate his favorite
bar stool. Pete Townshend, in turn, donated one of his own guitars, with a note attached: "Mine's as good as his! Love, Pete." From there,
the collection of memorabilia grew, resulting in Hard Rock Cafe's atmosphere.
Later (and probably due to Hendrix's influence), Clapton began using Fender Stratocasters. Most famous of all Clapton's guitars was "Blackie"
(a concoction of Clapton's favorite parts from several other Strats) which he used until the late 1980s when it wore out.
In 1988 Clapton, along with fellow Strat player Yngwie Malmsteen, was honored by Fender with the introduction of his signature Eric Clapton
Stratocaster. These were the first two artist models in the Stratocaster range and since then the artist series has grown to include models
inspired by both Clapton's contemporaries such as Jeff Beck and those who have influenced him such as Buddy Guy. The late Stevie Ray Vaughan
also has an artist series model. Clapton has also been honoured with a signature-model acoustic guitar made by the famous American firm of
C.F. Martin & Co.
In 1999 Clapton auctioned off some of his guitar collection to raise money for his Crossroads Centre he founded in Antigua in 1997. The
Crossroads Centre is a treatment base for addictive disorders like drugs and alcohol. The total revenue raised by the auction at Christie's
was US $7,438,624.
2006 tour band
- Eric Clapton - guitar, vocals
- Doyle Bramhall II - guitar, backing vocals
- Derek Trucks - guitar
- Chris Stainton - keyboards
- Tim Carmon - keyboards
- Willie Weeks - bass
- Steve Jordan - drums
- The Kick Horns (Simon Clarke, Roddy Lorimer, and Tim Sanders) - brass
- Michelle John - backing vocals
- Sharon White - backing vocals
Previous band members
- Albert Lee - guitar
- Jack Johnson - guitar
- Mark Knopfler - guitar
- Andy Fairweather Low - guitar, backing vocals
- Phil Palmer - guitar
- George Terry - guitar, backing vocals
- Chuck Leavell - keyboards
- Greg Phillinganes - keyboards, Hammond organ, backing vocals
- Billy Preston - Hammond B3 Organ
- David Sancious - keyboards, guitar, harmonica, backing vocals
- Chris Stainton - piano, keyboards
- Nathan East - bass guitar
- Pino Palladino - bass guitar
- Carl Radle - bass guitar
- Paulinho Da Costa - percussion
- Phil Collins - drums, vocals
- Ray Cooper - percussion
- Steve Ferrone - drums
- Steve Gadd - drums
- Ricky Lawson - drums
- Jamie Oldaker - drums
- Yvonne Elliman - backing vocals
- Katie Kissoon - backing vocals
- Marcy Levy - backing vocals
- Tessa Niles - backing vocals
- Clapton hires a man to take care of his Guitars. They are kept in controlled environment and at the moment he has about 750 guitars.
Back when he was at his prime he had some 2000 guitars.
- Clapton was ranked 4th in Rolling Stone’s controversial list of 100 Greatest Guitarists of All Time.
- According to the aforementioned list, Clapton is the second greatest living guitarist (behind B.B. King).
- The nickname "Slowhand", apart from being an ironic reference to the speed at which he plays, could also be a comment on how long it
took Clapton to change his guitar strings. It could also be taken as a pun on the phrase "slow hand clap".
- Early in his career, Clapton used a 1960 model Gibson Les Paul, and was partially responsible for Gibson's reintroduction of the
original Les Paul body style after it was replaced by the Gibson SG.
- Although many sources give his surname at birth as Clapp, this is incorrect. Though his grandmother's second husband's name was
Clapp, his mother's name was Clapton; his grandparents never legally adopted him.
- Eric Clapton is credited on Dire Straits’ Brothers in Arms album, as he loaned Mark Knopfler one of his guitars for the album.
- Clapton played lead guitar on The Pros and Cons of Hitch Hiking, Roger Waters' debut solo album after leaving Pink Floyd.
- Clapton was banned from driving in France and had his British driving license confiscated after being clocked driving at 216 km/h
(134mph) in a Porsche 911 Turbo on a French motorway in October 2004.
- Minor Planet 4305 is named 4305 Clapton to honor him. It is an asteroid between Mars and Jupiter.
- The soundtrack of Goodfellas contains two of his songs: "Layla" (by Derek and the Dominos) and "Sunshine of Your Love" (by
Cream). Both of these songs have immediately recognizable guitar riffs (even to those who have never heard the songs in their entirety),
although the portion of "Layla" used is the piano coda, and not the riff for which the song is known.
- Clapton performed at The Band's farewell show, which is chronicled in The Last Waltz, a film by Martin Scorsese. While performing
the beginning of "Further On Up the Road," his guitar strap came undone. To cover for him while he fixed it, Robbie Robertson improvised
a guitar solo.
- Clapton played two farewell concerts on November 26: Cream in 1968, and The Last Waltz in 1976. Ironically, The Band's music is
partly what inspired him to leave Cream in the first place.
- Clapton and Cream bandmates Ginger Baker and Jack Bruce have all played with each other in other groups. Clapton and Baker played together
in the short-lived supergroup Blind Faith, Baker and Bruce played together with the Graham Bond Organisation and Blues Incorporated, and
Bruce and Clapton played together near the end of Clapton's tenure with John Mayall's Bluesbreakers.
- Prior to the Cream reunion at the Royal Albert Hall, the band had never played "Badge" live, since the song was included on Goodbye,
the band's last original album before their break-up. However, Clapton, as a solo artist, has played the song live, as indicated on
The Cream of Eric Clapton.
- Before the formation of Cream in 1966, Clapton was all but unknown in the United States. He left The Yardbirds before "For Your Love" hit
the American Top 10.
- Once while playing a Cream concert, he and Ginger Baker suddenly stopped playing; Jack Bruce, apparently due to the volume of his
amplification, didn't notice.
- Even though all three were band members of The Yardbirds, Clapton, Jimmy Page, and Jeff Beck never played in the band all at the same time.
The three guitarists did however all play on stage at the same time at the ARMS charity concerts in 1983 in honour of Ronnie Lane. Clapton
and Page had previously played together with The Immediate All-Stars in 1965.
- According to an interview with Ginger Baker on the Cream reunion DVD, the reunion was Clapton's idea.
- When "Layla" from Unplugged hit #12 on the U.S. charts, Clapton became one of only two artists (the other being Neil Sedaka) to have
made the Billboard Hot 100 with two versions of the same song.
- Clapton is the only person inducted into The Rock and Roll Hall of Fame in Cleveland, Ohio three times (The Yardbirds, Cream, and solo).
- Clapton wrote the score to the film Rush. That film featured Gregg Allman, whose brother, Duane, was a guest musician who helped
Clapton record Layla and Other Assorted Love Songs.
- His name has appeared on some albums distributed in Japan as Eric Crapton, though this is most likely a case of Engrish rather than
- Ray Coleman, Clapton! The Authorised Biography (Warner Books, 1985; originally published as "Survivor")
- D. Widgery, Beating Time (Chatto & Windus, 1986)
- Fred Weiler, Eric Clapton (Smithmark, 1992)
- Eric Clapton: Crossroads liner notes
- Marc Roberty, Eric Clapton - The Complete Recording Sessions 1963-1992
- Marc Roberty, Eric Clapton: The New Visual Documentary (Omnibus Press, 1994)
- Marc Roberty, Clapton - The Complete Chronicle (Mitchell Beazley, 1993)
- Michael Schumacher, Crossroads - The Life and Music of Eric Clapton (Warner Books, 1998)
- Robin Bextor, Eric Clapton - Now & Then (Carlton Books, 2006)
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